在建筑中寻找属于你的目的地｜马来西亚红山画廊--粉丝服务平台-粉丝头条-fensifuwu.com

在建筑中寻找属于你的目的地｜马来西亚红山画廊

旅游 06-29 来源：建筑IDEA

Red Hill Gallery / MOA Architects + Formzero

来自建筑事务所的描述：项目的起点始于一座小型的热带小镇，这是一场艰苦的探险之旅。在探索场地边界的过程中，主创建筑师Cherng Yih Lee长途跋涉，穿过了一大片废弃油棕种植园，这是当地所剩不多的奶牛场草地。由于该地区城市住房的开发计划已经启动，这些农业景观即将消失，这使得工作人员在大片起伏的山丘中感到迷失，因此场地的确切位置仍未确定。

Text description provided by the architects. The journey to site began in an arduous adventure on foot at the edge of a small tropical town. In a bewildered quest to locate the site boundary within a hinterland, the lead architect Cherng Yih Lee trekked through acres of abandoned oil palm plantations and on what seemed to be one of the few remaining grasslands for a dairy farm in the locality. The exact location of site remained unidentified on the first day as the crew felt disoriented amidst large, undulating hills within an agricultural landscape that will soon disappear as development plans for urban housing in the area has been set in motion.

在研究场地的同时，建筑师发现了一种不寻常的景观格局。大片棕榈油树形成了场地边界，这片地区后来也因为保存下来的橡胶树丛而被熟知。这一事件影响了随后的设计过程。

Whilst studying the site, an unusual landscape pattern emerged. The prevailing palm oil trees had formed a border around an area of what was later known to be a cluster of rubber trees preserved during the land-clearing works. This incident inspired the ensuing design process.

在设计建筑之前，建筑师需要考虑人们的体验过程。这是一个遗忘之地的探索旅程。通往画廊的小路位于橡胶林的一端，鼓励游客从蜿蜒的高架金属平台上穿过树林。由于建筑有着引人注目的红色立面，人们总是可以隐约透过森林而看到它。然而，此时出现的建筑形态并不完整。进入森林小径就像进入一个黑暗的洞穴，相反，当走进建筑时，人们会看到一个巨大的白色洞穴。

The design of a human experience preceded designing the actual building. This is a journey in which one discovers a forgotten place. The path to the gallery is found at one end of the preserved rubber forest as visitors are encouraged to find their way through the trees on a winding and elevated metal platform. Due to the building’s striking red facade, one can always vaguely see it behind the forest. However, its image is never certain nor fully revealed. Entering the forest path is akin to a entering a dark cave. Conversely, one sees a huge white cave when walking into the building’s gallery.

在不同的功能区域，两端空间的大小急剧变化，这是因为头顶天花板的变化而产生的空间效果，并且当墙壁在不同的地方倾斜时，以不同的角度框出了外部零碎的风景画面。通往内部庭院花园的曲折走廊是办公空间的中心，这都是设计的探索流线，模仿了人们在森林中寻找目的地的体验过程。

Across different functional areas, the scale of space changes dramatically from one end of the building to the other as ceilings rise and fall above the head, and as walls fold in and out at various places, framing fragmented views of the outside at angles. A zig-zag corridor leading to an internal courtyard garden that serves as a central point to the office space is all part of a designed journey that mimics the experience of searching for a destination in a forest.

当人们离开场地向南走的时候，建筑则完全显露，森林映衬在建筑后面。这种形式是对大片起伏的山丘的衬托，建筑向地面倾斜，让人们感受不到其中的体量感。

As one leaves the site southward, the building is fully revealed with the forest behind it. Its form is a reminiscence of compressed, undulating hills that slope towards the ground, disregarding any sense of scale.